Atemporal Pisky Topologies, Simple – Non-Representational Poetry

Reposting this because I wanted to make a page for it in Evergreen Posts and because I thought the picture it was with was sub-par. “On top of the questions, seeing what fresh hell was upon them, they noticed that what had been one was many, and what had been uncut was now hashed….”

3 More Sample Readings Using The Key of Sparrows

Full key: https://tkos.dev The symbols were selected using random.org which uses ‘atmospheric noise’ (I think electromagnetic noise) to generate true random numbers. The system was designed such that you can use three coin flips to generate a binary number to select the column and roll a dice for the row.

The Revolt, Ever to Collect Its Due

A poem with a more concrete narrative than most from my book Synaptic Syntactic. Read more from Synaptic Syntactic by checking out the posts tagged Synaptic Syntactic. Buy the whole book in one neat offline package with no clicking around page loads at BookBaby or Synaptic Syntactic on Amazon, Kobo, Barnes & Noble, Apple iBooks, […]

Consider the Chinyingi Footbridge

Excerpt from the award winning 2023 novel Community Board by Tara Conklin, used without permission, pages 164-168 [ Blogger’s note: The footbridge, Brother Crispin, the fatal accident and the story of building it are all real. Darcy Clipper and Marcus Dash-La Grand are of course fictional. Community Board is a novel ] [ . . […]

We the People [citation needed]

— In this tale by turns sordid & harrowing we can now relate blow by blow, how it all had come to be, barring [SEE DISCLAIMER, GRAND JURY REGULATIONS, AND DOCUMENTATIONS OF IMMUNITY] those the many parts we could not.

Imaginary Monsters

Excerpt from the award winning new novel Community Board by Tara Conklin. Which references or was inspired by the authors experiences, perhaps with the Nextdoor social network during periods of COVID pandemic isolation. But the community board depicted is rather spare and I don’t recall references to images or styling & whatnot. Text Focused. Harkening […]